Track list:
- Megaton
- Lockdown
- Bury You
- Broken
- Pilots
- Interface
- Heavy
- Something About You
- Fearless Leader
- Sometimes
- So’k
- Replay
- Nice To Meet You
- Sky
Guitar wizard Nuno Bettencourt has had a long and illustrious career. He first erupted on the scene as guitarist extraordinaire for the Boston-based hard rock/funk metal outfit Extreme. When they disbanded in 1996, Nuno went on to record Schizophonic (affiliate link), a solo album, and later formed the Mourning Widows. The Mourning Widows released two albums, the self-titled Mourning Widows (affiliate link) in 1998, and Furnished Souls for Rent (affiliate link) in 2000.
Nuno then recorded (what is essentially) another self-titled solo album under the moniker Population 1. Nuno would then assemble a talented group of musicians, initially keeping the name Population 1, but then changing it to DramaGods. And the rest, as they say, is convoluted history.
Love (affiliate link) is quite possibly the most ambitious musical projects Nuno has been a part of since Extreme’s III Sides to Every Story. The musical scope is considerable, though somewhat uneven. The album spans 14 tracks, and well over 60 minutes in length. There’s enough variety to keep the listener interested, but some of the songs seem to drag a little. Additionally, the album doesn’t come across as a cohesive whole, but one can still appreciate the songs independently. After all, the writing covers a wide range of topics.
As I mentioned earlier, the DramaGods initially operated under the name Population 1, and it could be surmised that the name change reflects the transformation of their sound. The punk/pop rock sound of Sessions From Room 4 (affiliate link) is almost notably absent on this release, replaced by edgy alternative rock, prog rock and psychedelia. If anything, this release is most similar to the highly experimental offering, Population 1 (affiliate link).
Clearly, the DramaGods are inviting the listener to stretch their ears a little. The opening track, “Megaton”, for example, doesn’t have a hook that’s instantly likable, but grows on you with each listen. The pre-chorus section is somewhat reminiscent of the Tea Party, but it’s the unison shots that make this song. The Yes-flavored “Nice To Meet You” is another track that urges the listener to test out the waters.
Meanwhile, alternative rockers like “Pilots”, pop ballads like “Something About You”, and the somewhat unusual but sentimental and melodic “So’k” all have unmistakable hooks that will satisfy any desire for pop friendly melodies.
Band Dynamics: 9/10
All in all, the DramaGods play like a band that’s been active for years. Nuno and bassist Joe Pessia trade off solos on “Megaton”, and flawlessly execute unison riffs on “Lockdown” and “Heavy”. Keyboardist Steve Ferlazzo provides an atmospheric twist to many of the songs. If anything, it’s the balance between Nuno’s playing and Steve’s playing that could still use some improvement. When all is said and done, though, this is probably nitpicking.
Imagination & Creativity: 8/10
There’s enough variation to keep most listeners at the edge of their seats, but the sheer length and repetitive nature of select tracks could leave some listeners disinterested. The riffs are well-thought out, but most of Nuno’s solos seem to be improvised. The overall integration of the sound is well-executed, however, and there’s a good mix of slow and upbeat songs. This is a band with a lot of imagination.
Sound Quality & Music: 9/10
The sound quality is on par with any major release, and the music could potentially find mass appeal. The atmospheric quality of the album is also a plus.
Virtuosity: 9/10
The DramaGods are a very capable band with excellent musicianship. The interplay between Nuno and Steve is outstanding, though perhaps not as forthcoming as the frantic solos on “Exit” from Sessions. If anything, the chemistry between Nuno and Joe is more apparent here.
Writing & Premise: 7/10
There are several themes explored on this album, including personal loss, politics, and love. There doesn’t seem to be a cohesive premise to the album, which may be why it has the catch-all title, Love.
If I were to be nitpick, Nuno’s repeated use of the phrase “it’s not easy” seems to tally up to 10 times too many.
Overall: 42/50
Love is one of those albums I like to revisit every now and again so I can remember what I liked so much about it. Every time I listen to it, I feel like I get to hear it newly.
It doesn’t appear you can listen to it on Spotify, but the songs are easy to find on YouTube.
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